Resonating Histories. A Lecture with Matana Roberts

Authors

Matana Roberts

Synopsis

This chapter delves into themes and practices that have structured Matana Roberts’ album and mix–media series Coin Coin (2011–today) over the years, especially in relation to the topics of history and memory, archiving, composing, and texturing. Starting from exploring Coin Coin Chapter Three: River Run Thee (2015) as a key case study, it focusses on: how the project has developed since the beginning and how the artist has approached each chapter; the compositional processes connected to collecting and working with archival materials, as well as to what they define as “panoramic sound quilting”; the practices of writing the visual sheet music conceived as specific medium; the conceptions and use of visual contents for the multimedia performances.

Author Biography

Maria Teresa Soldani, University of Milan

Maria Teresa Soldani, Ph.D., is Adjunct Professor in Media Archaeology at the University of Milan and in Visual Culture Studies at Università Telematica San Raffaele Roma. She was Research Fellow at the University of Milan – within the ARTCHAE project – and the University of Bologna. She has published the monographs Naked City (Quaderni di CinemaSud, 2013), Made in USA (Mimesis, 2024), and co-edited special issues of journals and books, including Cronofagia e media (Meltemi, 2024). She is Associate Editor of G|A|M|E. The Italian Journal of Game Studies, member of the directorial board of “Afterimage” book series (Aracne), and of the international research group “Musical Lives on Screen.”

Published

April 2, 2026

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