«Piedmont’s Biggest Stage»: a Methodological Prologue to the Study of a Multidisciplinary Regional Circuit

The paper aims to reflect on the possible sources of documentation and methodological approaches underlying the exploration – from an historiographical, aesthetic, and organizational perspective – of an object complex such as a Multidisciplinary Regional Circuit, a specific body within the Italian theatre field, aimed at the distribution and promotion of performing arts and culture in a particular territory (as regulated by the current Ministerial Decree signed on December 23^rd 2024, no. 463, art. 42). The discussion is then focused on Piedmont case-study.