Milano University Press
L' isola che ci abita / La isla que nos habita
Keywords:
Cuba, Ca' Foscari, Alejo Carpentier, Lydia Cabrera, Alejandro Alonso, Erving Goffman, ComicsSynopsis
As result of over twenty years of cultural, academic and personal exchanges, woven and consolidated between the Ca’ Foscari University of Venice, the University of Milan and various Cuban universities and research centers, the volume restores the multiplicity of gazes and sensibilities that animate this network of professional, intellectual and human relationships. Transcending disciplinary boundaries – consistently with the impossibility of reducing, within the limited space of the frontiers of the academic field, the richness of these relationships and the intellectual effort that underpins and animates them –, the chapters that compose it delve into the territories of literary and theatrical criticism, travel reportage and comics, sociological theory and cultural studies, cinema and memoirs, mixing these languages and adopting a decentralized perspective, aimed at bringing the two shores of the Atlantic closer and closer.
Chapters
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Ca’ Foscari, CRIAR: A look from Erasmus+
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Image of Italy in the chronicles of nineteenth-century Cuban travelers
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Venice in Concierto barroco by Alejo Carpentier
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Crossing and influences of Italian culture in the formation of the Cuban national theater
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Towards a performativity of Afro-Cuban culture: music and religion in the narrative of Lydia Cabrera
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A Cuban gentleman between the Milanese Navigli and the Venetian lagoon. Alejandro Alonso and the art of revolutionary cubanía
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A Italy and Cuba: a cinematic bonding
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La traslación de una metáfora, de Erving Gofman a Enrique IV
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From Cuba to Venice, a trip between two islands
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A language that crosses oceans, a bridge between Italy and Cuba
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