Rappresentare Julie oggi: da Strindberg alla realtà virtuale

Saverio Macrì; Vincenzo Pernice; Andrea Scanziani; Alberto Bentoglio; Maddalena Mazzocut-Mis; Paolo Bignamini; Yasaman Farhangpour; Francesco Tissoni; Saverio Macrì; Franco Perrelli; Elena Radaelli; Fabrizio Castrignano

doi:10.54103/st.275

Authors

Saverio Macrì (ed)

Università degli Studi di Milano

https://orcid.org/0009-0006-9160-760X

Vincenzo Pernice (ed)

Università degli Studi di Milano

https://orcid.org/0000-0001-8824-7427

Andrea Scanziani (ed)

Università degli Studi di Milano

https://orcid.org/0000-0002-5264-5519

DOI: https://doi.org/10.54103/st.275

Keywords:

Strindberg, Miss Julie, Virtual Reality, Immersive Theatre, Transmediality

Synopsis

The volume presents the results of interdisciplinary research conducted by the University of Milan within the PNRR CHANGES project. In 2024, researchers and theatre professionals collaborated on Julie in VR, an adaptation of Strindberg’s Miss Julie staged at Teatro Franco Parenti and later transformed into a 360° immersive video for virtual reality headsets. The first section examines the dramaturgy and staging of the performance, guiding readers into the creative process behind the direction, dramaturgical construction, and themes inspired by Strindberg’s text. The second explores, from both theoretical and practical perspectives, the adaptation of theatre for virtual reality. An appendix includes Franco Perrelli’s long-unavailable translation of Strindberg’s original text, alongside Maddalena Mazzocut-Mis’s dramaturgy for the Milan production. Through this transmedial approach, the volume reinterprets a classic of Western theatre for contemporary audiences.

Chapters

Prefazione

Alberto Bentoglio

DOI: https://doi.org/10.54103/st.275.c639

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Introduzione

Saverio Macrì, Vincenzo Pernice, Andrea Scanziani

DOI: https://doi.org/10.54103/st.275.c640

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La drammaturgia

Maddalena Mazzocut-Mis

DOI: https://doi.org/10.54103/st.275.c641

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Julie, note di regia

Paolo Bignamini

DOI: https://doi.org/10.54103/st.275.c642

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Traduzione, potere e genere: note sulla versione persiana de La signorina Julie

Yasaman Farhangpour

DOI: https://doi.org/10.54103/st.275.c643

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Distribuire e comunicare spettacoli in VR

Vincenzo Pernice

DOI: https://doi.org/10.54103/st.275.c644

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Il virtuale e la realtà dei possibili

Saverio Macrì

DOI: https://doi.org/10.54103/st.275.c645

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La "filosofia" di Julie

Franco Perrelli

DOI: https://doi.org/10.54103/st.275.c652

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Fröken Julie tra naturalismo e simbolismo. Un percorso transmediale dal testo alla VR

Vincenzo Pernice

DOI: https://doi.org/10.54103/st.275.c646

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Teatro e nuove tecnologie

Andrea Scanziani

DOI: https://doi.org/10.54103/st.275.c647

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Dal palcoscenico al visore: Julie in VR e le nuove forme di presenza teatrale

Francesco Tissoni

DOI: https://doi.org/10.54103/st.275.c648

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Dalla traduzione alla drammaturgia per la VR: una data visualization

Elena Radaelli

DOI: https://doi.org/10.54103/st.275.c649

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La signoria Julie
Traduzione dallo svedese di Franco Perrelli

Franco Perrelli

DOI: https://doi.org/10.54103/st.275.c653

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Julie
da August Strindberg drammaturgia di Maddalena Mazzocut-Mis

Maddalena Mazzocut-Mis

DOI: https://doi.org/10.54103/st.275.c654

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Foto di scena
Julie in VR, Teatro Franco Parenti, Milano, 5-7 luglio 2024

Fabrizio Castrignano

DOI: https://doi.org/10.54103/st.275.c651

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Author Biographies

Saverio Macrì, Università degli Studi di Milano

graduated in Philosophy from the Università Cattolica of Milan and earned a PhD in Aesthetics from the University of Salerno. He is currently a research fellow at the Department of Cultural and Environmental Heritage, University of Milan. He is the author of Arte e individuazione. Un’indagine sull’esperienza estetica interattiva (Mimesis, 2024).

Vincenzo Pernice, Università degli Studi di Milano

PhD in Visual and Media Studies, is a research fellow at the Department of Cultural and Environmental Heritage, University of Milan. He teaches at the Ferrari Fashion School. He has conducted research for Campus Ludes and Fondazione 1563. He is the author of I romanzi del futurismo. L’avanguardia per tutti (Mimesis, 2024) and Barocco e decadenza. Autori, oggetti, stilemi sei-settecenteschi negli scritti e nelle collezioni di Gabriele d’Annunzio (Fondazione 1563, 2024).

Andrea Scanziani, Università degli Studi di Milano

is a researcher in Aesthetics at the Department of Cultural and Environmental Heritage, University of Milan. Trained in phenomenology, his research has focused on attention, perception, and interest, conducted in Italy, Argentina, and Germany. He is currently investigating the relationship between the affective sphere and new technologies. In 2016, he published the Italian translation of Edmund Husserl’s writings Percezione e attenzione (Mimesis, 2016). His forthcoming book L’attenzione estetica (Mimesis, 2025) will be released soon.

Rappresentare Julie oggi

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