Keywords:
Ukulele, Ukulele Composition, Ukulele Performance, Ukulele Cultural History, Organology, Popular Music, Contemporary Music, Instrumentality, Hawai’ian History
Synopsis
This book is the result of the First Ukulele International Conference (UIC 2021) – Interdisciplinary Perspectives on Performance, Composition, and Organology (December 3-4, 2021), the first academic event ever dedicated to the instrument. The edited volume collects selected essays and contributions by authors with different (or with multiple) professional backgrounds: researchers in the ukulele’s cultural history, musicologists with scholarship in performance and instrumentality issues, composers (or composer-performers) of music for ukulele, performers engaged in scholarly research and in popularizing the instrument, and professionals involved in the technological innovation of the instrument. The purpose of this book is to provide a sample of possible questions related to the instrument, with the awareness that many others may only be fully formulated in future research. In addition to the general tenet of interdisciplinarity—crucial for addressing an instrument endowed with such high and intrinsic "plasticity"—the book presents a further challenge: extending research on the ukulele to research with the ukulele, namely understanding it as an instrument (in a more etymological sense), a scientific tool to investigate different topics in music-making.
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Author Biographies
Giovanni Cestino
He is currently a Research fellow in Ethnomusicology at the University of Milan. His scholarship mainly focuses on music performance across different cultures and locales, at the intersection of archival research, ethnomusicology, and visual anthropology. He also focuses on sound studies and acoustic ecology. He recently edited the new Italian edition of R. Murray Schafer’s seminal book The Tuning of the World. He has been visiting fellow at Harvard Music Department, and the recipient of a research scholarship from the Paul Sacher Stiftung (Basel). He is also active as a choir conductor, serving as the artistic director of ITER Research Ensemble, a newly-formed vocal and research group.
Giovanni Albini
Composer, ukulelist and music theorist, is a tenured professor and head of research at the Conservatory of Alessandria. He has researched the use of quantitative methods in music and composition, developing a personal and unique mathematically informed aesthetics. The recordings of his music are published by Brilliant Classics. Moreover, he commissions and performs new contemporary classical music written for the ukulele and arrange classical and renowned contemporary and twentieth century scores for it, fostering the development of a new challenging and cultivated ukulele repertoire and aiming to deepen and evolve the idiomatic unique features of the instrument.
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