Milano University Press
Liminal Spaces, and Identity Transformations in South Asian Literatures and Arts : Essays in Honour of Professor Alexander Dubyanskiy
Keywords:
Vrātya culture , Epic literature, Classical Kāvya , Hindi poetry, Travel literature , Aesthetics, Narrative sculptures , Sacred thresholds, Ritual performance, Initiation, Bhakti, Gender identity , Social identity dynamics , SovereigntySynopsis
The present volume is a collection of 16 papers presented at the International Seminar ‘Liminal Spaces, and Identity Transformations in Indian Cultural History’ in Milan, in September 2019, when we were on the brink of a historical change unknowingly. And afterwards, during the pandemic experience, exploring liminality, as category of reality applied to Indian culture and especially to art and literature, appeared to be a means to cope with an emergency the likes of which had never been seen before. Obviously, this work does not aspire to be exhaustive, nonetheless, the heterogeneity of the contributions offers a multifaceted perspective: in actual fact, since liminality implies potentially myriads of interpretations, it appears to provide us with one of the main keys to addressing the entanglement of reality, especially the complexity of the Indian civilization, past and present. The focus is particularly on the literary and artistic aspects of such an extraordinary cultural heritage, from the Vedic period up to modernity; literature and arts are the lens through which variegated anthropological issues, crossing different historical phases, are investigated: firstly, the ritual question, in compliance with van Gennep and Turner’s approach, but also religious experiences, sovereignty and violence, dialectics of identity, social dynamics, gender identity, etc. Literature and arts, but still by means of their own aesthetic devices, mirror critical points characterising such issues, as if poetry and artwork, zooming in on specific transition elements, were themselves on the threshold of manifold layers of reality, able to pass through their interstitial discontinuities. Finally, it is a great honour to dedicate such a volume to the memory of Professor Alexander Dubyanskiy (1941–2020), eminent scholar in Indian literature, especially in Tamil poetry, who experienced multiple aspects of liminality both of the South Asian culture and life.
Chapters
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An Introduction. Liminal Experience as Aesthetic Experience?
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A Theme of Self-Humiliation in the Poetry of Tamil Bhaktas
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A Soviet Man on a Rendezvous with India: Alexander Dubyanskiy’s First Field Trip in Letters
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From Palace to Heaven: Vimāna in the Sanskrit Epics
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Conquering the Sun: Sovereignty and Liminality in the Vedic
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The Liminality of Gŗhapati, the Leader of an Aggressive Sodality, the Vrātyas
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Rudra’s Involvement in Ambā’s Liminal Ascetic Path
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«You Are the Same Śikhaṇḍinī»: Narrative Constructions of Śikhaṇḍin’s (Gender) Identity in the Mahābhārata
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Choosing What Should Be Left Unsaid: Is It an Outcome of Grammatical Issues or Rather Evidence of Cultural Transformations?
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The Liminal on the Battlefield of Laṅkā in the Imagery of the Rāmcaritmānas
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The Novice on the Threshold of Royalty: Anxieties and Apprehensions in Kādambarī
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Unfolding Politics, Merging into the Sacred: Liminality and Transfiguring Digvijayas in the Pāṇḍyakulodayamahākāvya
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Female Adolescence in Indian Lyric Poetry
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On the Sublime (and) Beautiful in Raghuvaṃśa. Edmund Burke Reads Kālidāsa
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Voices From the Stone, Figures on the Stage. The Development of Avadhāna and Avadhānī’s Identity
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On the Threshold of Social Changes. The Translation into Sanskrit of Choma’s Drum by K. Shivaram Karanth
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Bengali Travel Writers of the Mid-20th Century in Search of an Asian Identity
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Heavenly Musicians of Cave Temples as Liminal Beings of the Sacral-Profane Boundaries
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Liminality or Court Culture? An Introduction to the Narrative Pillar Sculptures at the Modhera Sun Temple.
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