Giacomo Verde installazioni, tv interattive, net art, tecnoteatro (1992-2002)

Authors

Anna Maria Monteverdi
Università degli Studi di Milano
ORCID logo https://orcid.org/0000-0001-5347-5876
Keywords: Giacomo Verde, Digital Art, Interactive Art, Intermediate Peformance, Artivism, Drawing for videoart

Synopsis

Giacomo Verde (Cimitile 1956-Lucca 2020), video artist and techno performer, has dedicated his entire life to the creation of a social and participatory art that directly engages the audience in the creative process, with the use of analogue, digital and web technologies. Verde was a tireless experimenter with new technologies, favouring the use of a poor technology, reinvented in relation to changing expressive needs. The present book follows, just over a year later, the previous text entitled Giacomo Verde. Attraversamenti tra teatro e video (1986-1992), also published by Milano University Press. The research is continued in this volume, which aims to show the artist's work in the period 1993-2003 through preparatory materials for interactive performances and installations that highlight the importance of drawing as a substantial medium in Verde's technological creative process. the volume is preceded by an equal publication entitled Giacomo Verde. Crossings Between Theater and Video (1992-1986). The book is preceded by an equal publication entitled Giacomo Verde. Attraversamenti tra teatro e video (1992-1986).

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Giacomo Verde. Attraversamenti tra teatro e video (1992-1986)

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Author Biography

Anna Maria Monteverdi, Università degli Studi di Milano

Anna Maria Monteverdi is Associate Professor of History of Theatre at the Department of Cultural Heritage, University of Milan (2017–); Professor of Scenography and Multimedia Dramaturgy for the Masters-level courses; she was Professor of History of Theatre at Academy of Fine Arts (2010–2017: Turin and Lecce), and Digital video and Digital Performance (2005–2010: Brera). Her research has focussed on Digital Performance, Contemporary Theatre and Experimental. Founder and director of the Academic Journal of the Department of the Cultural Heritage (UniMi), Connessioni Remote dedicated to Theatre, Technology and Artivism. Books: Le arti multimediali digitali (with A. Balzola, 2005); Nuovi media nuovo teatro (2011); Memoria maschera e macchina nel teatro di Robert Lepage (2018); Leggere uno spettacolo multimediale (2020), Scenografe (2021).

Published
November 15, 2023
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This work is licensed under a Creative Commons Attribution 4.0 International License.

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979-12-5510-062-1

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