Anna Maria Monteverdi is Associate Professor of History of Theatre at the Department of Cultural Heritage, University of Milan (2017–); Professor of Scenography and Multimedia Dramaturgy for the Masters-level courses; she was Professor of History of Theatre at Academy of Fine Arts (2010–2017: Turin and Lecce), and Digital video and Digital Performance (2005–2010: Brera). Her research has focussed on Digital Performance, Contemporary Theatre and Experimental. Founder and director of the Academic Journal of the Department of the Cultural Heritage (UniMi), Connessioni Remote dedicated to Theatre, Technology and Artivism. Books: Le arti multimediali digitali (with A. Balzola, 2005); Nuovi media nuovo teatro (2011); Memoria maschera e macchina nel teatro di Robert Lepage (2018); Leggere uno spettacolo multimediale (2020), Scenografe (2021).

Flavia Dalila D'Amico is a scholar and curator in the field of performing arts. Her research interests focus on the intersections of bodies, political subjectivities and technologies. Under the supervision of Prof. Valentina Valentini, in 2017 She obtained the title of PhD in Music and Entertainment at Sapienza University of Rome, with a thesis aimed at investigating the relationship between disabilities and  performing arts, partly merged into the monograph Lost in Translation. Disabilities on stage, (2021, Bulzoni Editore). In 2014 she won a “DAAD” scholarship, an international exchange program that allowed her to study at the Freie Universität in Berlin under the supervision of Prof. Susanne Foellmer. She has been a research fellow at the Department of Planning, Design and Technology of Architecture of Rome La Sapienza, investigating the role of visual and performative artists in the processes of technological innovation from a historical-critical perspective.

Vincenzo Sansone, master’s degree in Digital Performance (Sapienza University of Rome), is PhD in Studi Culturali Europei/Europäische Kulturstudien (University of Palermo). He was visiting scholar at Pompeu Fabra University of Barcelona and at Polytechnic University of Valencia. The focus of his research concerns these areas: the performing arts, new media, animation, AR technologies, software culture, visual culture. He is also an actor and digital set designer. In 2021 he published his first book Scenografia Digitale e Interattività. Il video projection mapping nuova macchina teatrale della visione (Digital scenography and Interactivity. Video Projection Mapping new stagecraft machine of vision) (Aracne Editrice). Currently he is adjunct professor at the University of Milan and Brera Academy of Fine Arts.